By Natchasiri (Froy) Kunaporn ![]() Two weeks have passed and the wall is still empty. At noon the wall is hit by the huge African sun and is blasting legit heat waves, it hurts my eyes to even stare. It’s even bigger now with the lime on. When I was painting the top part of the wall, my legs were shaking, one hand with the tray and one with the brush. It was only 5 meters high, but having a phobia for heights, I would say it’s quite an achievement getting myself to even go near that ladder. The design is nearly ready, with a plot twist at the end when we found out that the wall is not as symmetrical as we thought it would was. The contractor shamed the paint we got, and the roughness of the wall literally devours my pencil when I try to sketch. I realized I couldn’t draw the grids alone, so two of my colleagues and a couple of little Malawian boys were helping me hold the strings and eyeing the straightness; it was fun and rainbows until I realized that the bottom part is also not straight. So I slowly crawl back into my thinking hat to think of a better way to map the design, and probably map my whole plan. While sitting on the porch of the community center, looking out as the little helpers are playing jump rope with the strings. I would describe the site as rocky, rough, uneven, and full of construction bits and shards. They boys had no shoes on, and every time they land on the ground from jumping there is a huge THUD, THUD, THUD. My initial reaction would be ‘Stop you fools! You’ll all hurt yourself!’ But a part of me was so amazed by the constant laughter and that none of them were bothered by my horrified expression, I just watched. Nothing happened. My background music continued to be laughter’s of Malawian kiddies. As I gazed off at the sunset I realize I need to grow tougher skin, not just on my toes, but everywhere. I must overcome that stupid ladder, but also my mind has to be tougher and more critical. If I have to describe my approach to art, I would say that I am very stubborn and that I get attached to ideas that lead me being not very open to critics. I take many things to heart and find it hard to believe that there is a ‘better way’. What I need to work on is being very open minded about ideas of others, even the people who are not familiar in my area. I remember having a very strong dislike for abstract art and realizing later that my work has some degree of ‘abstract’ in it. My obsession with symbols plays a big part in my lack of critical thinking. I get attached to putting symbols in my work without making it come out naturally between my research. It slows me down most of the time. I find that I work the fastest when I see and hear things from other people, not when I try digging in my brain to find something that is not there. During the period of this course, we put a lot of emphasis on the importance of dialogue. Being engaged in deeper conversations will assist our journey in experiential learning. Being ‘searchers’ instead of ‘planners’ will eventually produce a richer result.
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By Katie-Alana Schouten ![]() Today we ran an After-school program collaborating with the Education students based on hygiene and hydration. We showed the children the technique of hand washing to the song of the Macarena. We were then challenged with the option of providing an education outlet for children with disability. Instead of focusing on the school system of education it was proposed to start a temporary program where we can act as aids for the children during the lessons. I felt unsure at first because a temporary program can end very quickly in Malawi. I thought it wasn’t sustainable as in this area there may be no teachers or no teachers to care to follow up the education that has started for people with disabilities. I also deeply felt that I didn’t have the skills to support these children, to meet their ever- changing needs. I felt and feel inadequate in doing something from my own mind that I couldn’t witness and criticize. Becoming the do-er instead of the audience was really a threat in this instance. The role of the nurse became so much clearer in such a short time. This outlet of education wasn’t only for these children, but for us too. I hope it allows us to be holistic and focus on all the person’s needs. From a quick visit to the community we had during the week I could already see the need for the children with disabilities to be happy and fulfilled in experiences. Instead here, they are forced to stay at home due to the discrimination they face in the schools and in the villages. I had an experience as a student nurse in practice where I found it difficult to participate in real communication with clients. I was always better at writing and doing physical work than communicating properly. A senior nurse told me that I could get anyone to participate in anything if I did it with love and kindness. Likewise, if I communicated with kindness I could achieve anything. This means meeting peoples individual needs in their current situation. I liked her advice. For someone with intellectual disability it can be difficult for some children to interact and communicate as directly as we would and that’s where my love for this role comes from. Individuals with a disability teach us to listen, to care and have patience, which is so difficult for me to do. I remember in school always being taught and talked at. We never had a conversation with our educators and our opinion wasn’t allowed because of being incorrect to the textbook. This created tension in me as a person because I didn’t feel like I was being listened to or understood. Having the opportunity to create a space where individuals can reach their own achievable potential in Chilanga is amazing. Being able to focus on ability rather than what the individual may not be able to do is life changing. In an ideal world it should be an aspect of all education and not just for our children with individual differences. ‘Education recognizes energy and potential within each person and each community, and tries to empower them to make their full contribution to the process of building a new society in which it is possible for all people to meet their fundamental human needs.’ (Hope,Timmel &Hodzi, 1984). References Hope, A., Timmel, S., & Hodzi, C. (1984) Training for transformation : A handbook for community workers. Gweru, Zimbabwe: Mambo Press. |
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About the BlogFrom 2013 to 2017 students participating in Transformative Praxis: Malawi wrote blog posts reflecting on their experiences of participating in action research in Malawi. Archives
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